Jumat, 31 Desember 2010

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The Cult of the Amateur: How blogs, MySpace, YouTube, and the rest of today's user-generated media are destroying our economy, our culture,

Amateur hour has arrived, and the audience is running the show

In a hard-hitting and provocative polemic, Silicon Valley insider and pundit Andrew Keen exposes the grave consequences of today’s new participatory Web 2.0 and reveals how it threatens our values, economy, and ultimately the very innovation and creativity that forms the fabric of American achievement.

Our most valued cultural institutions, Keen warns—our professional newspapers, magazines, music, and movies—are being overtaken by an avalanche of amateur, user-generated free content. Advertising revenue is being siphoned off by free classified ads on sites like Craigslist; television networks are under attack from free user-generated programming on YouTube and the like; file-sharing and digital piracy have devastated the multibillion-dollar music business and threaten to undermine our movie industry. Worse, Keen claims, our “cut-and-paste” online culture—in which intellectual property is freely swapped, downloaded, remashed, and aggregated—threatens over 200 years of copyright protection and intellectual property rights, robbing artists, authors, journalists, musicians, editors, and producers of the fruits of their creative labors.

In today’s self-broadcasting culture, where amateurism is celebrated and anyone with an opinion, however ill-informed, can publish a blog, post a video on YouTube, or change an entry on Wikipedia, the distinction between trained expert and uninformed amateur becomes dangerously blurred. When anonymous bloggers and videographers, unconstrained by professional standards or editorial filters, can alter the public debate and manipulate public opinion, truth becomes a commodity to be bought, sold, packaged, and reinvented.

The very anonymity that the Web 2.0 offers calls into question the reliability of the information we receive and creates an environment in which sexual predators and identity thieves can roam free. While no Luddite—Keen pioneered several Internet startups himself—he urges us to consider the consequences of blindly supporting a culture that endorses plagiarism and piracy and that fundamentally weakens traditional media and creative institutions.

Offering concrete solutions on how we can reign in the free-wheeling, narcissistic atmosphere that pervades the Web, THE CULT OF THE AMATEUR is a wake-up call to each and every one of us.

  • Sales Rank: #466168 in Books
  • Brand: Keen, Andrew
  • Published on: 2008-08-12
  • Released on: 2008-08-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x .80" w x 5.40" l, .48 pounds
  • Binding: Paperback
  • 236 pages

From Publishers Weekly
Keen's relentless "polemic" is on target about how a sea of amateur content threatens to swamp the most vital information and how blogs often reinforce one's own views rather than expand horizons. But his jeremiad about the death of "our cultural standards and moral values" heads swiftly downhill. Keen became somewhat notorious for a 2006 Weekly Standard essay equating Web 2.0 with Marxism; like Karl Marx, he offers a convincing overall critique but runs into trouble with the details. Readers will nod in recognition at Keen's general arguments—sure, the Web is full of "user-generated nonsense"!—but many will frown at his specific examples, which pretty uniformly miss the point. It's simply not a given, as Keen assumes, that Britannica is superior to Wikipedia, or that record-store clerks offer sounder advice than online friends with similar musical tastes, or that YouTube contains only "one or two blogs or songs or videos with real value." And Keen's fears that genuine talent will go unnourished are overstated: writers penned novels before there were publishers and copyright law; bands recorded songs before they had major-label deals. In its last third, the book runs off the rails completely, blaming Web 2.0 for online poker, child pornography, identity theft and betraying "Judeo-Christian ethics." (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

“A powerful, provocative, and beautifully written stop-and-breathe book in the midst of the greatest paradigm shift in information and communications history.”
—Christopher M. Schroeder, CEO, HealthCentral Network (healthcentral.com), and former CEO and publisher, Washingtonpost.Newsweek Interactive

“Page after page of really interesting insight and research. I look forward to the much-needed debate about the problems that Keen articulates—which can’t be lightly dismissed.”
—Larry Sanger, cofounder, Wikipedia and founder, Citizendium

“Thoroughly engaging, brightly written pages”
—Chicago Tribune

“Andrew Keen is a brilliant, witty, classically educated technoscold—and thank goodness. The world needs an intellectual Goliath to slay Web 2.0’s army of Davids.”
—Jonathan Last, online editor, Weekly Standard

About the Author
ANDREW KEEN is a Silicon Valley entrepreneur whose writings on culture, media, and technology have appeared in The Weekly Standard, Fast Company, The San Francisco Chronicle, Listener, and Jazziz. As the Founder, President and CEO of Audiocafe.com, he has been featured in Esquire, Industry Standard, and many other magazines and newspapers. He is the host of the acclaimed Internet show AfterTV and frequently appears on radio and television. He lives in Berkeley, California.

Most helpful customer reviews

190 of 217 people found the following review helpful.
Thought-provoking, but lacks some essential logic
By A. J Terry
Because I work in traditional media (book and magazine publishing) and regret how magazine and newspaper publishing are being decimated by competition from cheap (and free) Internet ad sales, I thought I'd like this book more than I did. Particularly since I agree with its premise that the vast majority of the free content on the Internet that is not supplied by traditional publishers is of less-than-professional quality. And that the Internet is home to a great deal of junk information, narcissistic self-expression, childish insults (the number of people who are 45 going on 13 is astounding, as is the number of the quasi-literate), slander, and scams.

However, although _The Cult of the Amateur_ is highly thought provoking, it is marred by sloppy thinking. For one thing: "Amateur" is never defined. Professionalism is a complicated concept in the fields of literature, music, visual arts, and dance (the last is a field this book does not cover, but it is one I am familiar with as a performer and teacher). Professionalism is often not defined by whether the person makes his or her living as a writer, musician, etc. Most people in most arts fields, including some highly skilled and well-known artists, simply cannot earn a living working in the arts full time because the pay is typically too low. Professionalism is sometimes defined by whether the artist has passed "gatekeepers," in the form of publishers or producers, or by winning contests. On the other hand, in the fields of live music and dance performance, this is often not valid, as the hiring parties often do not know enough technically to know whether the performers are any good. I have heard professionalism defined as whether the artist continually strives to achieve his or her best--and then studies and works to improve even more. That would have been a good definition for this book to adopt.

But even the book's implied definition of professionalism, which is the passing of gatekeepers, is not consistent. For example, the book discusses how some amateurs were recruited by major companies via contests to create advertising material for those companies. The winners were paid, more than a pittance though less than seasoned pros--which seems reasonable enough, since beginners in a field are usually paid less. Instead of viewing this as a situation where some beginners gained a toehold in the field of professional advertising and a credit to put on the resume when applying for advertising jobs, the book laments it as professional opportunities and money being thrown away on rank amateurs. But: The contest winners did pass the gatekeepers.

The book fails to address another aspect of the Internet that degrades the quality of the publications on it: The Internet heavily rewards change. The ethos is that change is inherently good, and frequent change means a much higher search engine rank. And many people are blogging, or providing free informational articles, to promote their businesses. (Another aspect of the Internet this book does not address: It assumes everyone except big businesses blogs, posts, and chats on e-lists out of sheer narcissism.) Not infrequently these promotional bloggers or site owners are professional writers who have passed "gatekeepers" elsewhere.

But: If they were writing for traditional book and magazine publishers, together with the publisher they would _finish_ each work and perfect it as far as humanly possible. Every monthly issue of a magazine is a different, polished publication. Even the most frequently updated books, such as directories, are only published annually. But the work on a website is supposed to be never done--meaning many of the best writer/website owners post half-finished work and fluff just to keep up their search engine rank. Others constantly chase people to write free "guest" articles--so the website owners can get on with their real writing work. The least scrupulous website owners and bloggers (these are not, I sincerely hope, professional writers), merely lift material from other sites: The ethos of change is yet another incentive to violate copyright.

The book also displays no historical sense beyond a few years ago. (When I first saw the subtitle, my snide thought was, "Today's Internet as opposed to that of the Middle Ages?") For example, it decries book self-publishing as an Internet phenomenon. Which isn't technically correct, since most books are not actually published on the net. But to get back to history: Self-publishing was the main model of book publishing before the 19th century. Everyone can name "great works of literature" that were self-published, as well as "great authors" who published pseudonymously (which this book says is also an Internet phenomenon). Everyone can also name what now are judged really awful self-published books that were bestsellers in their time (for example, Lady Caroline Lamb's celebrity tell-all novel about her affair with Lord Byron). And, some at least can name journalists, such as the novelist Colette's first husband Willy, who shamelessly wrote positive reviews of work by spouses, friends, etc., at times under false names.

As someone who has both worked for "traditional" publishers as an editor and writer, and who has self-published, I don't feel the dismissal of all self-published books as junk is fair. Both traditional and self-publishers tend to view the public as a very important gatekeeper: Does the book sell well? If so, it's of significant value to a significant number of consumers--and its sales keep the publisher in business. Why is someone who invests all their money in self-publishing books considered a narcissist, while someone who invests all their money in self-publishing software is considered an entrepreneur? Well, that's partly because our culture has a low estimation of the arts, an attitude this book continually ascribes to the Internet but which is far more wide-ranging and long-standing. If people valued well-written works, our best magazines and newspapers wouldn't need to sell ads for other companies' products to stay in business--and therefore would not be suffering so from competitive advertising on the Internet. And also, readers would not be so eager to violate copyright law, a problem the Internet has increased exponentially by the ease of pirating works and distributing the copies.

I agree with this book's premise that there is simply too much stuff on the Internet. There is far more information and entertainment available to everyone, than any one person can ever use or effectively sort out. However, that has been true for a long time--the information just didn't use to be on the Internet. People have always chatted informally, and critiqued books, plays, etc. for their friends--they just didn't do as much of it in writing. Since the invention of photography, people have shown around their home photos and movies (and earlier, their amateur watercolors). Since the average person became literate, people have kept diaries--most just didn't make them public.

And, there have always been amateur publications and minor professional ones--little club newsletters, neighborhood newspapers, and so on. Publications for which there was _some_ gatekeeping, but readers never expected them to be of the same quality as a large daily newspaper or national magazine. Nor have readers ever expected a tabloid to be the same kind of publication as a major daily. But, I do not agree with the author's premise that gatekeepers for publications, no matter how prestigious, are so invariably right that readers should simply accept whatever they say. Everyone should learn to analyze and evaluate the information they receive (though most people don't seem to) no matter whether the source is a blog on the Internet, a tabloid, or a major daily newspaper

I believe, by the way, that the insatiable appetite for attention and confession displayed on many amateur e-groups and blogs, is fueled by the practices of some traditional media, especially television and the tabloids. After years of seeing the media obsess over the most minute details of celebrities' lives--not to mention any real scandals--people have come to believe that the public is equally fascinated with all details of their own lives, and that publishing those details turns them, too, into celebrities. Any potentially scandalous behavior of their own seems like just good copy, as celebrity drinking problems and adulteries do to the tabloids. For these amateurs any attention--real or fancied--is a valued payment.

_The Cult of the Amateur_ points out many problems inherent in this transitional period. The models for magazine, book, and newspaper publishing, and the distribution of music and films, are drastically changing. Major and excellent businesses are losing money; many smaller ones have been bankrupted.

But, I believe that within a few years a new stratification of publication and distribution will arise, to aid both readers and publishers. Professional online (or even printed) publications, paid for by subscription or otherwise, will aid readers by doing what traditional book and magazine publishers have always done. That is, by sorting through a vast quantity of information submitted, choosing and collecting that of particular interest on a specific topic, or to a certain group of readers, then editing and otherwise refining the information to ensure the best quality and presentation. Ultimately, such online publications would greatly aid readers adrift in a sea of search results--and also, by making money, be able to pay their contributors and editors. (I agree with this book that most writers and artists can't spend the huge amount of time, and often money, required for professionalism unless someone pays them; whether this is consumers buying the work, or companies helping to produce and/or distribute the work in return for a share of the profits.) So, perhaps people wanting to read amateur work will read blogs, just as people who do not want an in-depth book review have always asked friends casual questions about the book. But readers wanting quality will turn to professional publications, on line or in print; just as they've long turned to newspapers, rather than rumors, for most of their news.

Unfortunately, the publishers that figure out how to make money in the new world of publishing and distribution, may not be the same as some of the best ones now in business. Also, making money in publishing, music, and films _does_ depend on the enforcement of copyright law, and given the ethics of many Internet users, I think publishers need better technical protection systems than any now existing. I do not believe most publishers can continue to rely on ad sales--there are just too many places to advertise cheaply on the Internet.

This book continually points the free-ad-competition finger at Craigslist. But the fact is that any small business can now create a large, four-color, long-term website of their own for less than the price of one printing of one classified (or small display) ad in a major newspaper or magazine: And most of them are doing it. Also, an enormous number of websites, including amateur ones, are trying to sell banner ads and links. With so many Internet venues for cheap advertising--even if Craigslist went out of business instantly--the revenues from most advertising sold either on the Internet or off it are likely to continue minimal.

I also believe that new software will be developed to help the individual consumer search for and sort out the material of most interest to him or her (which is a different issue from whether it is "good").

1 of 1 people found the following review helpful.
Opinion without insight is worthless, stupid.
By Dr. David Arelette
Most people will hate this book because it's about them and their mediocrity - the rush to say something creates the publication of total rubbish based on wishful thinking, abysmally poor analysis and even lower standards of education and critical thinking. The bonus is all this stupidity will remain in the ether for ever so the amateurs will never be able to hid themselves. The new paradigm will be "Who Cares" as the social media overload is seen as being worthless, even by the moron class.

0 of 0 people found the following review helpful.
so that's a good thing.
By Rebecca Gatrell
When I read this book, I felt as though the author were writing from attack mode arguing with an unseen foe. I found it difficult to get through. It made me think though, so that's a good thing.

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Rabu, 29 Desember 2010

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The Assimil method for teaching foreign languages is through the listening of audio cd's and the reading of an accompanying book, one side native language, one side foreign language. This method is focused on learning whole sentences, for an organic learning of the grammar. It begins with a long passive phase of only reading and listening, and eventually adds active exercises. Most books contain around 100 lessons, with the active phase starting on Lesson 50. The word Assimil comes from assimilation.
Several different series are published:
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  • Sales Rank: #4592738 in Books
  • Published on: 2013-05-22
  • Original language: French
  • Number of items: 4
  • Dimensions: 9.33" h x 1.97" w x 7.05" l, 1.55 pounds
  • Binding: Audio CD
  • 448 pages

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Sabtu, 25 Desember 2010

[R882.Ebook] Ebook 101 Hymn Stories: The Inspiring True Stories Behind 101 Favorite Hymns, by Kenneth W. Osbeck

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101 Hymn Stories: The Inspiring True Stories Behind 101 Favorite Hymns, by Kenneth W. Osbeck

Now with a new cover! This book offers the inspiring true stories behind 101 of your favorite hymns. It is excellent for devotional reading, sermon illustrations, and bulletin inserts, as well as for historical or biographical research.

  • Sales Rank: #128653 in Books
  • Brand: Kregel Publications
  • Published on: 2012-05-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.75" h x 5.75" w x .75" l, .83 pounds
  • Binding: Paperback
  • 288 pages

About the Author
Kenneth W. Osbeck (MA, University of Michigan) taught for thirty-five years, first at Grand Rapids School of the Bible and Music, and then at Grand Rapids Baptist College and Seminary. He also served as music director for Children’s Bible Hour, Radio Bible Class, and several churches. He is the author of several books, including the best-selling Amazing Grace: 366 Inspiring Hymn Stories for Daily Devotions; 101 Hymn Stories; Hallelujah, What a Savior!; 25 Most Treasured Gospel Hymn Stories; and Joy to the World.

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66 of 66 people found the following review helpful.
XLNT resource for Christians, especially home educators
By A Customer
101 More Hymns provides not only the histories of by-gone hymn authors and composers. It provides the complete sheet music. Some of these hymns are not found in the current hymn books. This is an excellent resource for anyone interested in older hymns and hymn histories. My children highly recommend this book as does as their mother.

38 of 38 people found the following review helpful.
Go beyond praise and worship
By Gary Bisaga
When I first became a Christian about 8 years ago, I somehow got the idea that praise and worship music was the truly "spiritual music" - hymns were old-fashioned, and people who enjoyed them did so because they were hide-bound by tradition. If you're thinking this now, please listen to me.
A year or so ago I heard about well-known and respected Christians like John MacArthur and Joni Eareckson Tada talk about how the old hymns were so meaningful to them and really strengthened their faith. That got me thinking: so it's not just stodgy old 80-year olds who love those old hymns. Maybe there's something to them after all.
So I got this book. And I have been so blessed by it. God has shown me that true worship is so much more than just a feeling. He wants all parts of me - my body, my soul, and my spirit - to be involved in worship. So many in churches today are satisfied with getting only their spirits involved; some want their body involved too (lifting hands, etc.); but the truly mature (I am coming to believe) also get their souls (or minds) involved. Your mind doesn't get involved when you just repeat "Isn't He" fifty times; it does when you sing (and really think about) the wonderful words to songs like "O, the Deep, Deep Love of Jesus" or "Blessed Assurance."
Both these songs and many, many more are covered in this book. Get it, sing the songs, think about what Christ has done for you, think about the circumstances of their writing. And take your worship to another level.

34 of 35 people found the following review helpful.
Excellent summary of the all-time best 101 hymns
By Robert H. Sydnor
This 288-page book summarizes the most favorite 101 hymns used by main-line Protestant churches. Although it was written in 1982, it is selling well (my copy is the 11th printing in 1990) and its content will continue to be current. At a bargain price of about $10, Osbeck's book represents exceptionally good value.

The author appears quite well-qualified with a Master's degree in music from the University of Michigan and over 40 years of experience in church music.

The full hymn is printed, then Ken Osbeck provides a one-page summary of the author's life with focus on the circumstances of how each hymn came to be written.

I found it very helpful and insightful to learn the story-behind-the-story of each hymn. These poignant insights are very useful in explaining the hymn in Sunday school classes and to the entire congregation.

This book has my full recommendation, and for just ten dollars, it represents good value as well. The book is very readable for laypersons. (This reviewer is a geologist and not a professional musician.)

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Rabu, 22 Desember 2010

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Operations Management is an innovative media and text package that clearly demonstrates the relevance of operations to everyday business activities. Introducing all of the core topics in a lively and engaging manner, authors Peter Jones and Peter Robinson make the material relevant and meaningful to students, including those with no background in the subject. They first introduce the unique structure of operations management before moving on to operations design and strategy, thereby mirroring what graduates will encounter in their future careers.

The text is supplemented by a unique integrated media package available on the companion website--running video case material, animated diagrams, and voiced-over quantitative models linked via QR codes in the text--that shows students how core operations theory is applied to real-world situations.

Packed full of case material and examples from companies that students can easily relate to--such as Domino's, EasyJet, and Ticketmaster--Operations Management challenges students to think about actual business issues and what they might encounter in their future careers. Real-life problems are used to carefully explain quantitative data, and links to seminal papers throughout each chapter support and strengthen the theories discussed.
The Companion Website (coming soon!) contains resources for both students and instructors:

For Students:

* Animated diagrams from the book, accompanied by audio that helps to explain concepts
* An annotated library of links to footage of "Operations in Action"
* Web-based activities
* Multiple-choice questions
* Seminal paper links
* Downloadable flashcard glossary

For Instructors:

* Customized video case material (interviews and processes tied to each chapter). Broken down into five-minute clips, these can either be shown in relation to a chapter topic or as a whole film demonstrating how one company utilizes many aspects of OM.
* Customizable PowerPoint-based slides
* Tutor guide
* Tutorial activities
* Answers to discussion questions
* Test bank

  • Sales Rank: #513004 in Books
  • Published on: 2012-05-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.70" h x 1.00" w x 10.40" l, .88 pounds
  • Binding: Paperback
  • 496 pages

Review
"A replacement text that performs the task of introduction better than the ones in use at the moment." --Simon Snowden, University of Liverpool

"I think this text is taking an innovative approach to teaching operations management. In particular the ordering of the material is new and makes a lot of sense, particularly with the age profile and experience of students taking this module." --Dr PJ Byrne, Dublin City University

"I find that the case studies appearing in each chapter are certainly one of the strengths of this book, as they are timely, relevant and engaging." --Dr Tolga Bektas, University of Southampton

About the Author
Prof. Peter Jones heads up the Hospitality and Food Management Group at the University of Surrey, where for ten years he was the ITCA Chair of Production and Operations Management. He is the author, co-author or editor of twelve textbooks, many of which are in the field of operations management. He also serves as Associate Editor on a number of editorial boards, where he is responsible for publishing journal articles with an operations focus. His own published research articles have been on a wide range of OM topics - such as mass customisation, statistical process control, revenue management, and productivity. He also writes a regular column for an industry magazine - Onboard Hospitality - as well as blogging and tweeting on operations management issues. As a consultant he has advised major European companies, and has devised and run service management development workshops for them. He has a MBA from London Business School and a PhD from the University of Surrey. Peter Robinson is a Tutor in Operations Management at the University of Surrey, School of Business. Since 2006 he has taught Operations Management and Project Management at Undergraduate level and Operations Strategies at MSc and MBA levels. Prior to that he worked for 10 years as a Board member for an international automotive supply company and has additional experience in implementing new technology into both manufacturing and administrative sections of a number of businesses.

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Senin, 20 Desember 2010

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  • Published on: 2002
  • Binding: Paperback

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Senin, 13 Desember 2010

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  • Sales Rank: #2158390 in Books
  • Published on: 2000-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .81" w x 6.14" l, 1.40 pounds
  • Binding: Hardcover
  • 309 pages

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The Last Cavalier: Being the Adventures of Count Sainte-Hermine in the Age of Napoleon, by Alexandre Dumas

The Last Cavalier: Being the Adventures of Count Sainte-Hermine in the Age of Napoleon, by Alexandre Dumas



The Last Cavalier: Being the Adventures of Count Sainte-Hermine in the Age of Napoleon, by Alexandre Dumas

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The Last Cavalier: Being the Adventures of Count Sainte-Hermine in the Age of Napoleon, by Alexandre Dumas

Selected as a Top Ten Book of the Year by The Washington Post: the newly discovered last novel by the author of The Three Musketeers.

Rousing, big, spirited, its action sweeping across oceans and continents, its hero gloriously indomitable, the last novel of Alexandre Dumas―lost for 125 years in the archives of the National Library in Paris―completes the oeuvre that Dumas imagined at the outset of his literary career.

Indeed, the story of France from the Renaissance to the nineteenth century, as Dumas vibrantly retold it in his numerous enormously popular novels, has long been absent one vital, richly historical era: the Age of Napoleon. But no longer. Now, dynamically, in a tale of family honor and undying vengeance, of high adventure and heroic derring-do, The Last Cavalier fills that gap.

  • Sales Rank: #354792 in Books
  • Brand: Brand: Pegasus
  • Published on: 2008-10-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 2.20" w x 6.10" l, 2.40 pounds
  • Binding: Paperback
  • 864 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Starred Review. This first English translation of the last, previously unknown novel by Dumas (1802–1870) offers a stunning completion to his fictional mapping of French history. The plot centers on Compte Hector de Sainte Hermine, a royalist captured and imprisoned by Bonaparte. Part one finds him caught in the political intrigue of 1801–1804, as Napoleon moves from first consul to emperor. In part two, Hector, now known as RenĂ©, is released from jail; he signs onto a French corsair as a common seaman, but his noble birth, superb education and martial abilities soon elevate him in rank. The next 300 pages slosh with swashbuckling sea adventure, casting heroic romance against the background of Napoleon's ultimate fall. It's Dumas at his best, but alloyed: asides; minibiographies; commentaries on fashion, manners, geography and history; and flashbacks pile up unendingly, leavened with farcical humor and witty punditry. Although it lacks the polish of The Three Musketeers and the concision of The Count of Monte Cristo, this capacious, rambling, unfinished account of the Napoleonic era represents vintage Dumas and an intensely personal vision of the time. (Nov.)
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From The New Yorker
This long-lost novel by the nineteenth-century master of the swashbuckler was discovered in decidedly twentieth-century fashion, on microfilm in the National Library in Paris. A breathless seven hundred and fifty pages, the unfinished manuscript nominally concerns a young velvet-suited nobleman "whose pallor bespoke a strange destiny": to redeem his family’s Royalist past, he must serve as a common sailor on a corsair. But Dumas seems only intermittently interested in his hero, lingering instead on Napoleon, still an emperor-in-waiting, bemoaning his marriage to spendthrift Josephine ("I shall keep divorce legal in France, if only so I can leave that woman"). Amid stagecoach heists, assassination attempts, and the occasional tiger hunt, sudden details gleam: a condemned aristocrat requests the services of a barber en route to the scaffold; a lovelorn girl conspires to commit suicide by snakebite.
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Review
The Last Cavalier is a lost treasure. The spirit of Monte-Cristo rides again. -- The New York Review of Books

Alexandre Dumas carries his swashbuckling style into the age of Napoleon. -- The New York Times

Epic storytelling in the hands of a master. -- Nick Ochwar, The Los Angeles Times

It's absolutely wonderful.....Dumas remains, now as ever, the Napoleon of storytellers. -- Michael Dirda, The Washington Post

Most helpful customer reviews

0 of 0 people found the following review helpful.
This novel is incomplete and unfinished as Alexandre Dumas died ...
By Cosme
This novel is incomplete and unfinished as Alexandre Dumas died before finishing it. However, the preface, which describes at length how the novel came to be rediscovered and published is a worthy read in of itself. Furthermore, Dumas writes with a passion and intensity of a dying man driven to complete his vision of French history during the Napoleonic epoch. The hero is classic Alexandre Dumas, noble and resourceful beyond true human capacity, but the reader forgives Dumas for his nineteenth century romantic enthusiasms and archetypes because he drives the reader along with his faith in the heroism, the rectitude and endurance of his characters...and in this age where the heroic has all but disappeared from public and political discourse, to escape from Hillary Clinton's humorless, remorseless drive to power, the alleged ends justifying her means, (as she reaps a harvest of pecuniary gain for herself and her husband) or from the Donald and his carnival barking and huckstering of the American public, to read about honor and rectitude, sacrificial in its efforts, yet made the more noble because of it, is to restore man's faith (at least this man's) in the redemption of men and women who take God and virtue seriously.

1 of 1 people found the following review helpful.
Long, Meandering
By Tom
I know editing on a book wasn't done as it is today back then, but honestly the book needed to have a hundred pages or more cut out. It was long and went on so many side notes that it just wasn't enjoyable. I love The Count of Monte Cristo, which is clearly longer, but with The Count it never seemed like he was going off subject for very long. I was a little disappointed with the book. Even reading the description in the beginning of everything else that was supposed to happen seemed a little long and felt like it could have been trimmed. But I'll pick up another Dumas book soon and try and forget this one. The first half is great, but after that...well it could have ended with him in prison and I think I would have been okay.

6 of 6 people found the following review helpful.
Interesting read for die-hard Dumas fans, but not one of his better works
By Adam
First, let me say that Dumas is one of my favorite writers of all time. Among others, I've read unabridged versions of The Count of Monte Cristo, The Three Musketeers, and Twenty Years After. I also read one of his shorter novels, Georges. I thorougly enjoyed all of them, and would include the first 3 listed among the best works of fiction I have ever read (Georges is also good but not quite as good as the first 3 I listed). When I saw The Last Cavalier on Amazon, touted as a "lost work" (which it in fact is), I immediately pre-ordered it, and patiently endured delay after delay before the book was finally released. It was something like 8 months after I pre-ordered it before I actually recieved the book, and the wait only served to increase how much I looked forward to reading it - I very much wanted to enjoy this book. Alas, I was disappointed!

The Last Cavalier reads almost like 2 separate works that have been pasted together. The first half focuses on Napoleon and on George Cadoudal. This half of the book is peppered with a number of very interesting historical facts (many of which I was ignorant of), but it is a bit slow at times. The first half also introduces our hero, Hector de Saint-Hermine and his family, but the focus is not yet on him. The second half is the story of Hector (aka Rene), and reads more like a novel.

To me, the most glaring flaw of The Last Cavalier is that the various plotlines are not tied together into a cohesive story. It is a long book, and unlike Dumas' other works it reads like a LONG book! The Count of Monte Cristo was itself over 1,200 pages long, but it was such a page-turner that it didn't at any point feel cumbersome or too wordy. Not the case with The Last Cavalier - a number of the wordy digressions are, in fact, nothing more than wordy digressions that don't add to the story. You really do get the feeling that Dumas is being paid by the word (which he often was). It took me a long time (about 2 months!) to finish the thing simply because it just didn't have the draw to keep me reading for very long periods at any one time, I kept putting it down and even contemplated giving up on it a few times.

The character of Rene is not particularly believable and despite the fact that he has faced great hardship, he's not that easy to sympathize with. He's invincible and is able to perform feats of daring, strength, skill, and even gluttony to the point that it's absurd. He also lacks a worthy antagonist - early on (and in fact it's stated in the book jacket) Napoleon is the long-time nemesis of Hector's family, but ultimately nothing ever comes of that. Hector does face a number of minor antagonists throughout the book, but none stick around long enough for their characters to get fully flushed out.

While this is a flawed work in my opinion, there are a few redeeming qualities. For one, the writing is excellent. For another, while the overall story isn't tied together very well, there certainly are brief periods of brilliance (when George Cadoudal reveals himself in a farmhouse; the wedding scene; some of the tales regarding the Companions of Jehu). These periodic flashes of greatness kept me from giving up on the story, as I would tell myself "ah, this is where the story really starts to get good!" ... alas, that never really happened. Finally, as I mentioned before the novel is peppered with a number of very interesting historical tidbits, particularly relating to George Cadoudal, Napoleon, and Lord Nelson. I'm not 100% certain to the general historical accurary, but some of the things I quickly checked on Wikipedia (which I realize isn't the most reliable source itself, but hey it's quick and generally is accurate) indicate that the history is pretty accurate.

In summary - if you are a huge fan of Alexandre Dumas and want to read everything he's ever written (or get as close as you can), then you certainly should read this. If, however, that is not the case or you are new to Dumas, do yourself a favor and read an unabridged copy of either The Count of Monte Cristo or The Three Musketeers, as his genius really shines through in both of those works.

If Dumas had time to actually finish The Last Cavalier (and by complete it I don't just mean write the ending, I mean go back through it and edit and delete or change things, as he often did before publishing a novel), it's entirely possible that this could ultimately have been a great work as well. But as it stands, it reads as a flawed and incomplete story.

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